Demos
Bryan Travers Commercial MP3.mp3 |
Commercial montage for radio and television
Bryan Travers Imaging Revised WAV.wav |
Imaging reel montage --mostly for radio imaging, but some television
Bryan Travers Promo MP3.mp3 |
Promo montage for radio and TV
60s Agricultural Ad Demo.mp3 |
Rugged cowboy delivery of agriculural ad
British Travel Commercial Promo.mp3 |
Attenborough delivery for a British travel commercial
St.Thomas demo.mp3 |
Soft, relaxing delivery of St. Thomas parks, inviting you to see for yourself and unwind!
Recent Work
Connectivity
Skype
Phone
Contact
Bio and Credits
Languages
English (North American)
English (United Kingdom)
Accents and Dialects
British RP, British cockney, Irish, Boston and New England, US southern, US MidWestern
Voice Age
Young Adult
Middle Aged
Senior
Experience
I have one year of experience. But let my demos do my talking!
Special Skills
Commercial
Documentary
IVR, Voicemail, Phone Systems or On-Hold Message
Movie and Game Trailer
Other (On-Camera, Informercials, Live Announcers, Spokespersons)
Podcast
Promo
Training, Business Presentations, Sales and Web Sites
TV Show or Movie
Videogame
About
Forensic precision? Really, Bryan? Well, let me explain. I am a retired FBI Agent and forensic scientist (Latent Prints) who is also trained as a professional actor and voice artist. With 25 years in the FBI behind me, yeah --I can do the "authoritative, commanding, 'Voice of God', believe me (especially at 6AM when you really don't want to hear it!)
But that's where my acting training and my prior experience as a mental health professional comes in. I can also do gentle, emotional, soothing, and empathetic. I can do the laid back "Frat boy" or the uptight businessman; the solemn doctor breaking cancer news to a worried parent, or the crass, rough-around-the edges construction worker! Oh, and can we talk dialects for a second? Yeah, I'm trained on those, TOO! British (RP, cockney, Londoner), Irish, Midwest US, Southern US, Texas, Boston and New England, and of course, New YAWK and New JOISEY! (Tony Soprano, anyone?). Fug-ged-abow-dit!
Having a science and graduate degree, technical language is no problem for me, either. If I don't know how to pronounce something, I know where to go to find out. No guessing.
My turn around time? I can have it to you... YESTERDAY. That IS how today's world works, right? Typically on a small project, I can have it back to you in a few hours --yeah, not days! HOURS!
But what about that "precision" you mentioned, Bryan? I record in a acoustic treated room with a top-shelf mic (Sennheiser 416 shotgun condensor) into a Universal Apollo Twin set up with an API Vision console, an Avalon VT-737, a UAD 1176 Rev A compressor, and the old standard Teletronix LA2A. WHOA! I nerded out on tech, didn't I? What all this means is I have a very HIGH LEVEL, PROFESSIONAL, CLEAN SOUND. Plus, I edit out dead air, clicks, etc. My sound is up-front, present, and generally deep sounding, but I can go higher, too if the script requires.
So, check out my demos, or better yet, send me a custom audition script.
But that's where my acting training and my prior experience as a mental health professional comes in. I can also do gentle, emotional, soothing, and empathetic. I can do the laid back "Frat boy" or the uptight businessman; the solemn doctor breaking cancer news to a worried parent, or the crass, rough-around-the edges construction worker! Oh, and can we talk dialects for a second? Yeah, I'm trained on those, TOO! British (RP, cockney, Londoner), Irish, Midwest US, Southern US, Texas, Boston and New England, and of course, New YAWK and New JOISEY! (Tony Soprano, anyone?). Fug-ged-abow-dit!
Having a science and graduate degree, technical language is no problem for me, either. If I don't know how to pronounce something, I know where to go to find out. No guessing.
My turn around time? I can have it to you... YESTERDAY. That IS how today's world works, right? Typically on a small project, I can have it back to you in a few hours --yeah, not days! HOURS!
But what about that "precision" you mentioned, Bryan? I record in a acoustic treated room with a top-shelf mic (Sennheiser 416 shotgun condensor) into a Universal Apollo Twin set up with an API Vision console, an Avalon VT-737, a UAD 1176 Rev A compressor, and the old standard Teletronix LA2A. WHOA! I nerded out on tech, didn't I? What all this means is I have a very HIGH LEVEL, PROFESSIONAL, CLEAN SOUND. Plus, I edit out dead air, clicks, etc. My sound is up-front, present, and generally deep sounding, but I can go higher, too if the script requires.
So, check out my demos, or better yet, send me a custom audition script.